Hojin Kang (*1986, lives and works in Berlin) is a german-korean media artist and designer. His artistic practice is situated at the intersection of digital technologies, embodied experience, and cultural memory. Within this process, he connects interactive media with traditional rituals and objects, drawing on the Confucian and Buddhist philosophies that shape his Korean heritage.
With 3D-printed prayer beads, AR sculptures and breath-controlled light installations, he creates visceral encounters that emphasize the visitor's bodily presence, drawing on the theory of embodied cognition by Lawrence Shapiro.
Thus in a time of political division and cultural fragmentation, Hojin Kang's works seek the transcendent qualities that interconnect us as human beings.
His work has been exhibited at Galerie Judith Andreae (2025), 48h Neukölln (2025), Stockwerk Projekt Weimar (2024), Kassel Dokfest Lounge (2023), Stadtgalerie Saarbrücken (2022) and Kunstverein Ulm (2018), among others. He collaborates closely with curators, designers, artists, programmers and craftsmen in his projects.
Hojin Kang (*1986, lives and works in Berlin) is a german-korean media artist and designer. His artistic practice is situated at the intersection of digital technologies, embodied experience, and cultural memory. Within this process, he connects interactive media with traditional rituals and objects, drawing on the Confucian and Buddhist philosophies that shape his Korean heritage.
With 3D-printed prayer beads, AR sculptures and breath-controlled light installations, he creates visceral encounters that emphasize the visitor's bodily presence, drawing on the theory of embodied cognition by Lawrence Shapiro.
Thus in a time of political division and cultural fragmentation, Hojin Kang's works seek the transcendent qualities that interconnect us as human beings.
His work has been exhibited at Galerie Judith Andreae (2025), 48h Neukölln (2025), Stockwerk Projekt Weimar (2024), Kassel Dokfest Lounge (2023), Stadtgalerie Saarbrücken (2022) and Kunstverein Ulm (2018), among others. He collaborates closely with curators, designers, artists, programmers and craftsmen in his projects.